… as I poured my father’s ashes into a big Ziploc bag, a little of my blood dripped in. I thought about how each cell has all of you fully inscribed in it, so that if I left those drops in there, it would be as if I were already dead too. I plunged in then, to try and get myself out, but it was all so sticky that I had to give up; when I pulled out my hand, parts of my father were stuck all over it …
—from twin time
Poetic, sensuous and witty, Veronica Gonzalez’s debut novel unfolds like a fairy tale spanning the dusty hills of Los Angeles and the glittering nightlife of Mexico City. Raised in northeast LA by her widowed immigrant father, a baker, Mona has grown up believing her mother died minutes after her birth, and her twin brother was simply given away. Stifled by unnamable doubts as a child, when her father dies, Mona sets off on a quest to discover her long-lost twin brother. The journey takes he into the labyrinth of her own fabulations about her parents’ lives, and a dreamy Mexico City that exists only as cultural imagination. In the process she encounters a band of Nordic men, her Chinese double, a lascivious giant, and a tribe of feral children. Gonzalez masterfully probes the oddness of Mona’s interior world until it becomes a twisted parable for all kinds of displacement.
Veronica Gonzalez is the coeditor of Juncture: 25 Very Good Stories and 12 Excellent Drawings and the founder of rockypoint Press, a series of artist-writer collaborations produced in association with 1301PE Gallery. twin time, her first novel, won her the 2007 Premio Aztlán Literary Prize.