I COULD NOT BELIEVE IT: THE 1979 TEENAGE DIARIES OF SEAN DELEAR

By Sean DeLear

Introduction by Brontez Purnell
Edited by Michael Bullock and Cesar Padilla


When Sean DeLear died prematurely in Vienna in 2017, his friends discovered—among other treasures—an extensive diary kept at the age of fourteen. Still living with his Christian parents in the notoriously racist Los Angeles suburb of Simi Valley, Sean wrote almost every day about crushes and hustling, waterbeds, blackmail, Donna Summer, gloryholes, racism, and shoplifting gay porn.

DeLear would go on to become the frontman for the Los Angeles power pop–punk band Glue. He was a musician, visual artist, intercontinental scenester, video vixen, party host, marijuana farmer, and sometime-collaborator of artists such as Kembra Pfahler and Vaginal Davis.

DeLear's forgotten diaries capture a moment in Los Angeles underground and queer history when, as his friend the writer Cesar Padilla notes, “It wasn't cool at all to be trans, gay, queer or whatever. Those words weren't even in the vocabulary.” I Could Not Believe It, Padilla continues, “is a raw fearless innocent gay Black kid's journey coming out into life at an incredible pre-AIDS period. It's not cognizant of being literature. It's as naïve and forthcoming as it gets. It wasn't written with the desire to be published so Sean didn't hold back. Sean's goal was to be true to himself.”


"As we are in an intense period of rediscovering buried histories and legacies, Sean D's is one of great note, triumph, and inspiration. As a matter of fucking fact, she is the Queen Mother of alternative music."
—Brontez Purnell

"Sean D told me about the diary but you can't fathom the excitement, growth, pain, and discovery etched onto those pages until you read them for yourself."
—Kembra Pfahler

"Like a young Diana Ross, Sean DeLear was all ferocity and vulnerability… singing "All Tomorrow's Parties" in a throaty croon and fluttering drugstore makeup aisle eyelashes. These diaries finally give me the backstory."
—Rick Owens

What I love about this "potent historical artifact of Black youth," as Brontez Purnell describes it in his introduction, are its notes of uncertainty, lack of pretension and it’s persistent faith in tomorrow.
—Andrew Durbin, Frieze

Paperback, 184 pp.
Forthcoming May 23, 2023